Video Production 2
TE 602 – VIDEO PRODUCTION II ½ credit Grades: 10-12 1 Semester (Spring Only) Exam:
Local Prerequisites: Successful completion of Video Production I
This class is a hands-on, project driven course. It is designed to allow students to explore and focus on individualised roles such as a director, camera opera- tor or a script writer. Projects will be completed in small and large group settings, which are commonly found within the communication industry. Course content includes: Adobe After Effects editing, Adobe Premier Pro Editing, Videotaping, Advanced Script Writing, Computer Generated Storyboards, and Scoring Video’s.
Local Prerequisites: Successful completion of Video Production I
This class is a hands-on, project driven course. It is designed to allow students to explore and focus on individualised roles such as a director, camera opera- tor or a script writer. Projects will be completed in small and large group settings, which are commonly found within the communication industry. Course content includes: Adobe After Effects editing, Adobe Premier Pro Editing, Videotaping, Advanced Script Writing, Computer Generated Storyboards, and Scoring Video’s.
Third Quarter Assignement
Brainstorm and complete the planning process for a "drink" Comercial, points will be given to originality and createivity (you may consiter making up your own product ie something not on the market ie like "Hulk juice" a juice chemically design to turn you into a muscle bound hulk, may cause mood swings, . The opject of the commerical is to try to persuade someone to do or buy something. so make it convincing, what is your argument why should someone buy your product? what is so great about it, does it have special side effect ie like making you a hulk?
Assignemtn requirements
Assignemtn requirements
- at least a 6 scene storyboard , that includes pics and detailed notes.
- a 2 page script
- a character discription
- a photo collage of your product (think of it like visual brainstroming) and an advertising slogan (you may use photoshop or jsut paste things in google slide)
- "Hulk juice" a juice chemically design to "turn" you into a muscle bound hulk,. wairning, may cause mood swings
Fourth Quarter assignments
12 Basic Principles of Animation in Motion Design
By: James Pannafino | March 11, 2015
With the growing ubiquity of digital devices, moving interfaces and adapting technology, motion design has become an important part of a designers creative options. Understanding the grammar of what molds the craft and the reason why things are happening is key to creating a meaningful design. The grammar of motion has been around since long before designers had advanced tools, and it will continue to guide designers after the tools have evolved.
An influential work on the grammar of motion is the 12 Basic Principles of Animation, first introduced in the book The Illusion of Life: Disney Animation. The Illusion of Life was written by Disney animators Ollie Johnston and Frank Thomas, two of the master animators referred to by Walt Disney as the “Nine Old Men.” No matter the style of animation—be it hand drawn, 3D or experimental animation—the 12 principles can be seen in almost any motion-based design.
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The following are some exsmple of the 12 principles as they relate to motion design.
Squash and Stretch
Adding exaggeration to an object in motion gives it a greater sense of weight and volume. This principle is often demonstrated with a bouncing ball: the ball appears stretched when it is falling and squashed when it hits the ground. By squashing and stretching the ball, an animator gives a more realistic feel.
StagingInfluenced by theatrical principles, staging helps establish mood, create focus and clarify what is happening in the scene.
Slow In and Slow Out
In the physical world, objects and humans need to pick up momentum before they can reach full speed. Similarly, it takes time to decrease speed before something can come to a complete stop.
Arc
When someone shoots an arrow, it rarely flies completely straight. Gravity causes objects in motion to arc between the start and end points. Even many of the natural movements in the human body move on arcs, such as the arm, hand, fingers, etc.
Timing
In a true animation, timing is an essential aspect of the way frames are drawn. Timing also helps in establishing personality of characters and the emotions they express.
Appeal
A character with appeal isn’t always attractive. He or she can be an ugly or evil character with a certain level of charisma that is makes sense within the story. In motion design, appeal can be established before anything moves by choosing an interesting typeface, creating a visual translation, or juxtaposing images.
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Assignment
Create a short video of a zooming in on a zoom in.. Think Modern Family. -part 1:choose a word or name of a location that brings pictures to mind like grow, Brooklyn, etc create in aftereffects three different zooming or dezooming clips pertaining to that word ie theme -Part 2:following bring all clips into premiere and arrange them and add transitions and music |
Final
More to come
